"Hello First Grade" Vintage Israeli Poster MIKVE ISRAEL School Israel 1950s
1 × $850.00
Rare Israeli Vintage Sign "RADIO SERVICE AND REPAIR OF ELECTRICAL APPLIANCES" Israel 1950s
1 × $900.00
25 Years of The Betar Struggle" Vintage Israeli Poster. 1947 - Beitar Etzel Jabotinsky
1 × $5,800.00
Extremely Rare One-of-a-kind Theodor Herzl Documentary Film Poster, Yiddish, 1921 “Theodor Herzl, Flagbearer of the Jewish Nation”
1 × $8,800.00
BA-MACHANE IDF MAGAZINE SIX DAY WAR WALING WALL ISRAEL 1967
1 × $450.00
David Ben-Gurion – “His Life and Work” | Original Vintage Israeli Poster (JNF / KKL), 1966
1 × $740.00
Tel Aviv Zoo Rare Vintage Poster Designed by Pesach Ir Shai 1930s
1 × $4,500.00
Vintage Israeli Poster - Kesem Washing Powder by Franz Kraus Palestine Eretz Israel FRANZ KRAUS 1930s
1 × $5,500.00 $1,450.00
1 in stock
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This striking 1971 poster, designed by Israeli artist Kopel Gurwin, captures a fascinating moment in the history of graphic design in Israel—where a global brand meets a distinctly local visual language.
The composition is richly symmetrical, centered around a smiling sun-like face, surrounded by ornamental patterns and vibrant birds that resemble embroidered motifs. The design clearly draws inspiration from folk art—echoing Eastern European embroidery, traditional decorative forms, and handcrafted aesthetics. Rather than adopting the clean, modernist advertising style typical of the period, the poster embraces density, warmth, and bold color.
Gurwin creates an unusual and compelling fusion: on one hand, Coca-Cola—a globally recognized brand associated with uniformity; on the other, a deeply local, almost naïve artistic expression that gives the brand a unique identity within the Israeli cultural context of the 1970s. Instead of replicating international campaigns, this poster “translates” Coca-Cola into a local visual language—a rare and remarkable approach.
Color plays a central role: vibrant combinations of pink, purple, orange, and red generate a sense of warmth, joy, and energy. The stitched-like lines enhance the illusion of handmade craftsmanship, even though the poster was produced באמצעות industrial offset printing. It is a sophisticated interplay between craft and commerce, tradition and modernity.
Typography is minimal and almost disappears into the composition, emphasizing the dominance of imagery over text. The brand itself becomes part of the visual rhythm rather than an imposed element.
This poster is an excellent example of how advertising can transcend its commercial purpose and become a true work of art—reflecting the cultural spirit of its time. For collectors of Israeli posters, it represents a rare combination of a global brand and a strong local identity, making it a highly desirable and historically significant piece.
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